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Indigenising the Curriculum; or, How I Learned to Stop Worrying and Love My Heritage

 

Kamilaroi Totem: Kaputhin the Eagle. [Wedgetail Eagle by Ron Knight CC BY 2.0] 

It hit me like a bomb. We are Indigenising the curriculum, and that's that. I have to attend Indigenous cultural awareness training. But I have Aboriginal heritage from my maternal grandmothers. I've just never identified as Aboriginal. Until now.

I didn't think I deserved to because I had always identified with my paternal side, a sixth-generation Australian of English stock with a strong ANZAC tradition (my youngest son carried the tradition on). I've heard all the family stories and I've spent many hours researching my family's history. The records of my paternal side provided a level of scrutiny, putting to bed many false rumours about certain ancestors. Yet there were actual records to consult.

On my maternal grandmother's side, there was a distinct absence of birth records, even after Federation. But there were lots of myths. A few years ago, I responded to a researcher who was looking into myths in family history - I had discovered plenty over the years. As part of an ethereal plan, the researcher contacted me to discuss my family "myths" just after the Indigenising the Curriculum project impacted upon me.

It brought up so much stuff. Growing up in Far North Queensland and being the only white kid in an Aboriginal and Torres Strait Islander football team for several years was not much fun. On the field there was a strong sense of team spirit, but off-field interactions were quite different. All the stuff of politics and discrimination was played out then - and all this before Pauline Hanson. It was confusing and I had no idea of the plight of Australia's Indigenous Peoples at the time. I was only a child. Like most aspects of globalisation and cross-cultural interaction, however, family tends to break down any inherited political boundaries.

My brother-in-law, my "Thowie" (thow pronounced tow as in wow - as per the tradition for brothers-in-law, we call each other Thowie and not by our first names), is a Torres Strait Islander, and my niece and nephew are Torres Strait Islanders and part of my family. Family comes first, so their heritage is something I feel obliged to defend. In 2008 I was asked to deliver a National Sorry Day speech at the University of Canberra, and it struck me then the stupidity of racist politics. I am not one of them or one of you, I am one of us.

I was initially upset by the Indigenising the Curriculum project. It felt contrived, part of the greater Neo-colonial project, cultural appropriation at best. But as a scholar and a keen student of Stoic philosophy, I have learnt to suspend judgement on first impressions and to resist forming an opinion on external events. 

I consulted with a number of my Indigenous colleagues and decided that the angst was less important than the intention, so I attended the Indigenising the Curriculum project briefing, and then I completed the National Museum's Teaching Indigenous History course. I am yet to complete the Cultural Awareness training but I am booked in.

Now I am 50 and I have three grandchildren. My grandchildren don't know that they have Aboriginal heritage and my two sons don't know much about it either. When I met my long-lost maternal great-grandmother in the late 1970s, she claimed she was Cherokee Indian. That myth stuck so well that I find it difficult to point out the truth to other family members - who am I, after all, to tell another what their identity ought to be based on? It's not about identity politics. It's none of my business.

But why Cherokee Indian? I suppose it explained her skin colour. And delving into my great-grandmother's past (I had to obtain my grandmother's permission to access the records at Aboriginal Affairs in NSW), I found nothing. No birth record. And the marriage and death records were confusing.

A few years ago, I purchased the death and marriage certificates of my maternal grandmothers and was able to piece together a lineage back to an Aboriginal woman named "Kelly" (my 4 x great-grandmother). She married an ex-convict and they had children. The ex-convict later had his ticket of leave withdrawn for neglecting his "half-caste" children. I was able to follow the maternal lineage down to my great-grandmother, but there were some mysteries that remain.

I can be sure that my 3 x great-grandmother is Kamilaroi because she and her descendants are listed as eligible to be part of the Gomeroi (an alternative spelling for Kamilaroi) People Native Title Claim Group. But the mystery deepens when I look to my great-grandmother (the "Cherokee"). Why Cherokee and not Aboriginal?

There are numerous anomalies. I can be fairly certain that she was born in 1905, but there is no birth certificate. But her death certificate has Walhallow (Caroona) Mission as her place of birth. Her mother's marriage certificate claims that she was born after the recorded marriage, but this would make her far too young to be married. Her own death certificate suggests her father was the foreman at Walhallow, but this is impossible because the dates don't match. 

Whenever I talk to my Indigenous friends, they acknowledge the difficulty in finding one's "mob" - there is so much truth to the idea of "The Stolen Generation", but it goes back to the earliest days of white settlement.

My hypothesis is that my great-grandmother's father was an Aboriginal man. She was born at Walhallow Mission where discrimination remained a problem as late as the 1960s. But my great-great grandmother seems to have had acquired a sense of social capital from her extended family (one of her uncles was apparently well-dressed and well-educated). I suspect she created my great-grandmother's false history and assumed identity - Cherokee, a different surname, and at different times two different white fathers - and managed to get out of the mission.

Until her death, my great-grandmother claimed she was Cherokee Indian, but the records prove otherwise. I need to go back to my grandmother to obtain her permission to go back to Aboriginal Affairs to go through the records again with my new information. I get upset when I think about my great-grandmother and her mother navigating through such institutionalised racism. Regrettably, such stories are not uncommon.

It makes me even more upset when I think about the Indigenous Peoples of this continent and how they have lived in harmony with the ecosystem for thousands of years, only to be relegated to a type of "fauna" by people who continue to destroy the ecosystem for little more than greed in the space of a couple of centuries.

When talking to my colleagues about my issues with identifying as Aboriginal, one said to me that it was much bigger than me and my ego. If I thought it was too much hassle for me, within about 100 years my descendants would lose that very heritage I have re-discovered. I'd never thought of it that way before. If I don't pass on that heritage, it will be lost again.

Recently I have been looking into the concept of stewardship in public policy, an undefined term that has been introduced into the Public Service Act 1999 as a responsibility of departmental secretaries. Generally, stewardship refers to the intergenerational custodianship of things like natural resources and the environment and requires policymakers to make decisions that take into account the next generation, typically a 30-year timeframe.

The Indigenous Peoples of Australia have been stewards of this place for tens of thousands of years. I daresay there is something very special in comprehending that level of responsibility.

Which brings me to the future. To identify as a person of Aboriginal heritage has some baggage attached to it. I have to go against the grain of my family's myths, unhinge myself from the institutional racism that was part of my upbringing, and add a new dimension to my internal sense of self. Or I can simply ignore it and let my Kamilaroi heritage disappear in a couple of generations.


On the Beach: The most disturbing novel I have ever read

Remnants of Chernobyl [Photo: CC0]

On the BeachOn the Beach by Nevil Shute
My rating: 5 of 5 stars

Spoiler Alert: This novel is about how to die. Forget the reviews that wonder how people could conduct themselves so serenely and not go off like crazed rats. If I had the knowledge that I - and everyone else - would be extinct in a matter of weeks, how would I want the end to be?

I finished reading this novel last night with a powerful rush of emotion followed by involuntary tears and a horrible feeling of powerlessness. I tried to shake this off with a start on some absurd Nabokov (Despair) but it didn't work. All night I dreamt about how I would die in this situation.

In the first dream, everyone was scrambling into a cave. I was following a loved one. Deeper and deeper into the earth we burrowed. I wanted to stop and go back but I also wanted to be with the one I love. They went on. The effects of radiation began to tell on me and I wanted to be near my loved one but not in the dark, buried under ground. We died there and I felt so disappointed that I hadn't gone my own way. I awoke in a state, realised it was the novel and a dream.

My subconscious wasn't satisfied, so back into the dream state I go and the dream runs again. And again. And again. Finally, I wake and realise that life is not so serious. Dying well is more important than running on the rollercoaster of others' ideas. Trust the process. And off into the deepest sleep I go.

No art has ever affected me so. Arriving at this novel and discovering such powerful emotions was a fortunate accident of circumstance. Dilectio Libertas et Doctrina. Love, Freedom, and Learning. Such a powerful way to live.

My choice of books is often a result of random events that open an entirely new world of thought. On a recent road trip, my girlfriend selected the podcast The Cold War Vault, and we listened to the episodes about the Net Evaluation Subcommittee and how it painted an increasingly gloomy picture of the United States' ability to win a nuclear war in the late 1950s.

Dwight D. Eisenhower was President at the time, and Nevil Shute's novel was published in 1957, followed by the 1959 film starring Gregory Peck, Ava Gardner, Anthony Perkins, Donna Anderson, and Fred Astaire. The novel and the film painted a bleak picture that almost materialised during the 1962 Cuban Missile Crisis. By then, Robert McNamara's strategy of "mutual assured destruction" (MAD) was gearing up, and the Net Evaluation Subcommittee had made itself obsolete. 

In 1983, Carl Sagan's warnings of a nuclear winter following even a limited nuclear war would ramp up the scientific debate about the end of the world. But Nevil Shute, a Brit-turned-Aussie (and author of A Town Like Alice and Beyond the Black Stump), had set it out already in On the Beach.

I had no idea about Nevil Shute. The connection to Australia came out in the Cold War Vault podcast, which referred to the film and "Anthony Perkins' non-existent Australian accent". I was intrigued and the next thing I notice, the book is staring at me in Elizabeth's Bookshop in Newtown.

These random connections in my various readings are wonderful. Even while writing this up, I looked for a link to Nabokov's Despair and discovered that it, too, had been made into a film starring Dirk Bogarde. Much like Shute, I knew nothing of Bogarde until I read Thomas Mann's Death in Venice and watched the 1971 film. I've since read several of Bogarde's autobiographical stories, opening up another world of French gardens and country living.

Back to On the Beach. Unlike the horror of dying from radiation exposure as thousands of people did after the United States bombed Hiroshima and Nagasaki, Shute tells of the various approaches to death taken by the characters left in Melbourne as nuclear fallout following the short World War III in the northern hemisphere slowly engulfs the rest of the planet.

The hopelessness of it all is symbolised by a trip in a nuclear submarine to test an optimistic theory that radiation levels are decreasing closer to the north pole and to investigate the origin of random morse code transmissions from near Seattle. Yeoman Swain escapes the submarine off the coast of his hometown and is later seen in his boat with an outboard motor fishing. He refuses to die in a strange land in a few weeks' time, preferring to die in a few days at home. It's the individual choices that make this story so vividly disturbing.

One character decides to remain faithful to his dead wife (unlike Gregory Peck in the movie version!). Another buys a Ferrari race car and pushes himself to the limit in scenes where several drivers die brutally in an ad hoc Australian Grand Prix. He takes his prescribed suicide tablets (provided free by the local pharmacy) while sitting, victoriously, in his well-preserved car.

A couple and their daughter decide to just get it over with. A farmer worries about his cattle and makes sure they have enough feed. The naval officer goes down with his ship outside of territorial waters, and Ava Gardner's character gets sloshed and takes her suicide pills just as Gregory Peck's character (she doesn't shag him in the novel) sails off into the sunset and before diarrhea strikes her again. She's on the beach. Hence the name.

This novel demonstrates how stupid it all is - going through the motions because we don't know how to live, let alone die. I am still disturbed when I think about the novel, but differently than in my first nightmare last night.

Much like my literary idol Professor Harold Bloom said, as we age we read against the clock. But we might also prepare to die well. That starts now. And that, I believe, is what Nevil Shute was trying to say.

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Learning About Buddhism from Dr Sax: Jack Kerouac's Surprisingly Erudite Biography of the Buddha

 

Jack Kerouac. Photo by Tom Palumbo [CC BY-SA 2.0].


Wake UpWake Up by Jack Kerouac
My rating: 5 of 5 stars

I began reading this book back in 2016 but it was out of my depth back then and is only now something I can appreciate after much reading and research. Jack Kerouac has been a bit hit-and-miss for me. I loved On the Road and I didn't like Doctor Sax so much. But this biography of Gotama Buddha was as surprising for me as it was for Robert Thurman who penned the introduction to this Penguin Modern Classic.

I didn't know what to expect and although I had it bookmarked well into the main text, it had been so long I had forgotten everything I'd read so I had to start over. I find it interesting that some books, Like Tolstoy's War and Peace, I can pick up at any time and continue on as if I hadn't put it down so long ago. (Of course, one can do this for years it is so bloody long!) But this one I had completely forgotten so I began it all over again.

I was surprised by the style of the introduction by Thurman. It is very thorough, but he also doesn't hold back on his sense of surprise and wonder at Kerouac's expertise. I, too, am in awe. (Especially after reading Doctor Sax, one of Kerouac's less than appealing attempts at stream of consciousness writing!)

I have read some works that cover the basics, such as the Dalai Lama's How to Practise, Herman Hesse's Siddhartha (yes I know it is a fictional history of one of Gotama's contemporaries), and also to some extent Osho's Empty Boat, but I did not expect to receive so much "direct knowledge" from Kerouac!

I was introduced to Taoism and Buddhism by a friend in Shanghai in early 2019. I was fascinated by the similarities with Stoicism but also with Confucius' teachings. After commencing the Shiva Sutras and Yoga Sutras of Patanjali, I have also had some discussions with a colleague about Hinduism. He refers to Buddhism as "the daughter of Hinduism". This is an appropriate description, as I am learning while reading Karen Armstrong's Buddha right now. 

What I find most interesting is the concept of "perception" which appears equally important in Stoicism. The bottom line is that our ability to perceive is based on our senses which are subjective and we perceive objects according to our pre-programming. Transcending this knowledge requires other types of knowledge if we are to be at peace with oneself.

While I am still grappling with many of these ideas, I found the following helpful from Kerouac (2008, p. 88):
Perception is our Essential Mind; the sun's brightness or the dim moon's darkness are the conditional ripples on its surface... the phenomena that the sense-organs perceive does not originate in our Essential Mind but in the senses themselves.
The senses are changeable in that we can see space or a wall, lightness or darkness. But our Essential Mind is "neither changeable nor fixed" (p. 90). And from p. 91: 
Do not be disturbed by what has been taught, but ponder upon it seriously and never give yourself up either to sadness or delight.
I am grappling with the idea of perceptions from the senses in that this empirical knowledge is an illusion, like ripples on the sea, but our Essential Mind is pure. Or (p. 92):
...it is the eyes, not the intrinsic perception of Mind, that is subject to false mistakes.
So what is this Essential Mind? It is not any one perception of our individual senses, but some kind of whole:
There is neither Truth nor Non-Truth, there is only the essence. And when we intuit the essence of all, we call it Essential Mind.
I have many more notes on this work, but it has enlightened me to much of Buddhism that I did not know. In particular, the sense of individualism was surprising (p. 137):
...prepare quietly a quiet place, be not moved by others' way of thinking, do not compromise to agree with the ignorance of others, go thou alone, make solitude thy paradise...
And to echo James Allen's idea of conquering oneself, Kerouac writes of the Buddha:
As I am a conqueror amid conquerors, so he who conquers 'self' is one with me.
If I am learning anything from my philosophical and theological studies over the last three decades, it is that I am increasingly a Transcendentalist in the fashion of Ralph Waldo Emerson and his "Self-Reliance", and also his idea of finding one's "nature". 

But all of the philosophies and religions I am familiar with have, outside of the theological questions they address and the answers they provide, a requirement for self-knowledge. Kerouac's biography of Gotama Buddha demonstrates just how difficult that can be. 

If only we could "Wake Up".

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