Book Notes: "A Clean Well Lighted Place" by Ernest Hemingway

A Clean Well Lighted Place by Ernest Hemingway

My rating: 5 of 5 stars


I've always had a nagging thought that short stories were a cop-out for an author of novels - a bit like a media article compared to a journal article or a monograph for an academic. This particular short story seems to have been popular for its treatment of the Lord's Prayer, but I am spellbound by Hemingway's ability to shake loose a raft of emotions in such a short space. Maybe it is his self-centredness I identify with - I am not sure - but I seem to be able to identify with all of the characters, torn from the feeling of working with the public in a dull job,to being grateful for a job, to being old and not wanting to be in a popular place but to drink one's poison in a "clean well lighted place", then to hopelessness with a sense of resignation, then dignity and contentment all in one. Doing all of that in a short story is nothing short of remarkable, and consequently, I have changed my mind about short stories generally.



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Book Notes: "The Last Tycoon" by F. Scott Fitzgerald

The Last Tycoon by F. Scott Fitzgerald

My rating: 5 of 5 stars


If only I had read this work years ago... There is much to be learnt by reading an unfinished book, especially this with the author's chapter plan, character sketches, unedited rants and revisions. I expected Fitzgerald's colleagues to have attempted to finish the novel. Instead, however, the rawness of "The Last Tycoon" provides a window into the mind of an author in full swing. Yet if it were finished I doubt it would have had the same impact. On finishing reading the book I was at once melancholy - for the author, for the characters, for the friendship/comradeship/competition between Fitzgerald and Hemingway, for the thought processes that we would like to think are far too human, too prosaic for those who have written and written well. The scholarly care for the development of the piece is amplified precisely because of the scaffolding Fitzgerald left behind at his death, much like seeing the inner workings of a precision timepiece normally hidden from view. Fitzgerald's plot does the same to Hollywood. So much so that he couldn't have planned it better, or written truer at all, had he finished the story. "The Last Tycoon" immortalises Fitzgerald as a glorious death in battle for a warrior king. Only we are much the poorer for his early demise.



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Book Notes: "Hemingway: The 1930s" by Michael S. Reynolds

Hemingway: The 1930s by Michael S. Reynolds

My rating: 4 of 5 stars


I was saddened to learn, as I went to write this review, that Michael Reynolds died in 2000. Initially, the concept of the book made me wonder whether Reynolds' work is merely a retelling of the master's work: whether Reynolds had much talent at all and simply used another's carefully-crafted public image as a topic for elevating one's own status. Moreover, my first thoughts were that chronologically-ordered books tend to be a hard slog to read. Australian war historian Lex McAulay came to mind as he writes very well-referenced, precisely-detailed and scholarly work which can be incredibly difficult to read other than for research purposes and I couldn't help seeing the similarities in style from a "readability" perspective. Nonetheless, Reynolds successfully melds chronology, at-times lengthy quotations, details and historical context with his own blend of character depictions and descriptions, without ever appearing to over-step the mark and over-dramatise history in what is an essentially good, scholarly and entertaining read. Reynolds' ability to capture the history of a character who was synonymous with the spirit of so many of the more romantic elements of the twentieth century is remarkable. I was reading Hemingway's "A Moveable Feast" and a number of his famous short stories while also reading Reynolds' work, an approach which I intend to continue as I read and study more of Hemingway's legacy while reading Reynolds' "The Paris Years". Nevertheless, I couldn't help but notice how the chronologically-ordered chapters move from year to year until the last few chapters where the years are suddenly jammed together as if the author became frustrated with the approach and forsook the planned structure in order to finish the book using less words than originally intended. On learning of Reynolds' death, and reflecting on Hemingway's witnessing the beginnings of his own legacy, however, i cannot help but think that Reynolds' work stands on its own two feet and is worthy of much praise as a historical piece. While not in the same vein as Hemingway's oft more glamorous career, I can not help but think that Reynolds' lifetime effort to record for posterity the lifetime of another was, in its own way, a life worth living. With that in mind, I suspect the true greatness of Reynolds' work is in the entire series on Hemingway, and not just this one volume.



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